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October 29, 2007

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CDs We've Reviewed

  • Athena Tergis -

    Athena Tergis: A Letter Home
    Tergis seems to be not so much playing the tunes as savoring them. (You will, too.) (*****)

  • Christy McNamara: The House I Was Reared In
    This is a very worthwhile addition to your collection, especially if you have a fondness for the lovely and unhurried music of County Clare. (*****)
  • Kevin Burke -

    Kevin Burke: Across the Black River
    As with so many Irish music recordings, it’s impossible to hang a “traditional” tag on it and just let things go at that. “Across the Black River” is solidly Irish, but Burke and Scott gleefully toss many ingredients into the old Irish stew—Cajun, bluegrass, a bit of Texas swing, Parisian sidewalk music—and nothing seems out of place. (*****)

  • Kris Drever -

    Kris Drever: Black Water
    Along comes Orcadian singer-guitarist Kris Drever with “Black Water.” Yes, there are a few sad songs—songs of working-class travails and teary farewells. But even the sad tunes are infused with light and warmth. Drever’s voice has a plangent quality—like a Scottish Rufus Wainwright. He has chosen songs that blend modern influences with age-old themes. Duets with Kate Rusby and Eddi Reader are particularly lovely. (*****)

  • Nuala Kennedy -

    Nuala Kennedy: The New Shoes
    On this CD, Kennedy travels the well-worn road of Irish traditional music, with occasional side trips to Cape Breton, the Hebrides and Brittany. Kennedy's voice is iridescent.;her flute and whistle performances, unearthly. Each track is luscious, exceptional and soul-satisfying. Savor each one. (*****)

  • Old Blind Dogs -

    Old Blind Dogs: Four on the Floor
    The Old Blind Dogs have been around, in one form or another, since 1990. With “Four on the Floor” (Compass), the band loses nothing of the creative energy that has made it one of the most popular traditional ensembles. (*****)

  • Pauline Scanlon -

    Pauline Scanlon: Hush
    In some ways, Scanlon’s delicate voice works against her. It doesn't work well for all of the tunes. Overall, though, a fine effort. An appreciation of her artistry comes gradually. The more you listen to Pauline Scanlon, the more you hear. (Since listening and hearing aren't always the same thing.) (****)

  • Solas -

    Solas: Reunion: A Decade of Solas
    Live CDs often succeed at presenting a band’s work in a new and exciting light. Obviously, an audience changes things. The stomping, clapping, yelling, cheering—it all becomes a part of the performance. But the DVD adds an entirely new dimension to the event. OK, so you weren’t there. (Hey, I missed it, too.) But the quality of this concert DVD will make up for your inability to have snagged a seat. Of course, the true magic of the performance lies in the composition of this one-time-only version of Solas. Backed up by singer Antje Duvekot, guitarist Chico Huff, percussionists Ben Whitman and John Anthony, and keyboardist Michael Aharon, all the past and present members of Solas seem to blend seamlessly into one organic whole—and the whole in this case is certainly greater than the sum of its parts. (*****)

  • Téada -

    Téada: Inne Amarach (Yesterday Tomorrow)
    On Inné Amárach, Téada makes a sonic connection to the old guys, the old tunes and—forgive me, I had hoped never to use this cliché—the old sod. Just about every trad CD goes round and round with reels and jigs, and maybe an air or a song or two. But there is so much more to Irish traditional music, and Téada dips deep into the well. Inné Amárach is like an Irish music primer. (*****)



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